“If artists keep on risking failure, they’re still artists.
Dylan and Picasso were always risking failure.
This Apple thing is that way for me.”
—Steve Jobs quoted in Fortune magazine, November 1998.
Steve Jobs, the man whose genius expressed itself best in the art of marrying product design to product function (“Design is not just what it looks like and feels like. Design is how it works,” he said) was perpetually striving to make the most sophisticated digital technology the most simple and the most fun to use. You can see it, plain as day, in the 317 utility and design patents he collected during his brilliant, all-too short career.
From now until July 8th, 2012, you can see them, along with some assorted nostalgic Apple paraphernalia, at a Smithsonian exhibit in Washington, D.C., that pays homage to Jobs’ technological contributions to the world: “The Patents and Trademarks of Steve Jobs: Art and Technology that Changed the World.”
Stretching on a concourse in a cavernous hall beneath the S. Dillon Ripley Center, visitors to the Steve Jobs Exhibit can see on display the patent certificates that list him among the inventors who conceptualized and hammered out the details involving many iconic Apple products, including computer cases, Macintosh computers, iOS-based devices, packaging, keyboards, mice and power adaptors, and even the glass staircases found in many Apple stores—shades of Howard Roark in The Fountainhead!
The exhibit is mainly a display of 30 panels, each 4-by-8-feet in size, made to resemble iPhones. Collectively, they showcase more than 300 patents and trademarks granted to Jobs throughout this career. To be precise, each panel displays facsimiles of the front pages of 12 patents granted to Jobs, totaling 312 of the 317 he acquired in his lifetime. The traveling exhibit was designed and created by the National Inventors Hall of Fame and Museum in Alexandria, Virginia., where it originally was on display through February, 2012.
When Jeff Pulver heard that the exhibit would be on display at the Smithsonian, he dispatched Yours Truly to get the scoop. I rocketed down to Washington, D.C. on the Acela, only to find that the exhibit had just arrived on Wednesday, May 8, 2012, and was being unpacked from several great wooden boxes. Like the curse of King Tut’s belongings and the Hope Diamond, the exhibit had already claimed a victim—a case had squished a worker’s finger. But the unpacking and exhibit assembly went on as, one-by-one, out came all of the objects, including some from the Smithsonian’s National Museum of American History which were placed in a special display case at the exhibit’s entrance. The display case was filled with an original 1984 Apple Macintosh computer, mouse, and keyboard; a 1992 NeXT monitor, sound box, microcomputer, keyboard and mouse; and a 2003 Apple iPod.
It’s hard to believe that it was the little Apple Macintosh computer, with its diminutive black-and-white screen, that introduced to the public a real graphical user interface. GUIs took up lots of CPU processing power, all just to cater to non-hackers. Still it was the user-friendly GUI front ends to operating systems and application software that entranced non-hackers with its clickable icons instead of command lines to start and run programs.
Since the museum staff was a bit paranoid about me appearing out of nowhere and spouting Steve Jobs trivia as the crates were unpacked and the exhibit took form, I was referred to Richard Maulsby for an interview. Maulsby had been appointed to the newly created position of Associate Commissioner for Innovation Development at the U.S. Patent and Trademark Office (USPTO) by Commissioner for Patents Robert Stoll.
As the associate commissioner of the USPTO, Maulsby is at the forefront of the USPTO’s efforts to encourage and promote innovation as a key driver of the American economy. He coordinates the agency’s efforts to assist independent, small entity and university affiliated inventors. Maulsby also works closely with other government officials in support of the Obama Administration’s efforts to support small business and entrepreneurship that creates jobs.
Maulsby would be at the exhibit’s opening at 10 a.m. on Friday, May 11th, but, graciously, I would be granted an interview ahead of time. Here’s how it went…
Richard Grigonis: I hear this exhibit was a three-way effort: First, the Department of Commerce’s U.S. Patent and Trademark Office [USPTO] owns the Steve Jobs patent material; second, it is being exhibited at the S. Dillon Ripley Center under the auspices of the Smithsonian; and third, the design of the exhibit is by the National Inventors Hall of Fame.
Richard Maulsby: Yes, this started back toward the end of September 2011, shortly after Steve Jobs died. I was having a casual conversation with our Under Secretary of Commerce for Intellectual Property and Director, David Kappos. He said to me, ‘We really ought to do something that’s pays tribute to Steve Jobs and that captures his contributions, his body of work.’
I then talked with David Fink, who is the president and CEO of the National Inventors Hall of Fame, which is operated on the USPTO campus in Alexandria, Virginia, by Invent Now, Inc., a non-profit organization dedicated to fostering invention and creativity. We at the USPTO do a number of joint projects with them, and they do all of our exhibits, including our museum.
David Fink is himself an inventor, having worked for Disney. He really came up with the idea of capturing the concept by taking Steve Jobs’ patents and giving them a strong visual presentation, which was implemented by his people. In a sense the creative design and implementation is their intellectual property but they assigned it to us, or something like that [chuckle]. That’s the way it is, you know, when you work for a company such as, say, IBM, you may be the inventor, but you assign it to company.
In any case, we all were surprised, quite frankly, at the number of patents with which Jobs was associated. I had always thought of Apple, well, Steve Wozniak was the inventor, the guy who worked in the garage on the hardware. Jobs to me was the great entrepreneur, businessman, marketer.
But after we started doing some digging around, we found all of these many patents with which Jobs is associated. Just last week, by the way, on May 2, 2012, Steve Jobs was inducted into the National Inventors Hall of Fame.
Wozniac, however, is an interesting guy in his own right. Unfortunately, he couldn’t be here, but he was an important part of the video that was produced for the exhibit.
Anyway, I kicked around some ideas, and they came up with this concept of taking all of Steve Jobs’ patents—there are over 300 of them—and make digital images of the front page some of the patents, so it looks just like the patent itself, with his name on it, and the co-inventors, and a description of what the patent is about, and the seal, the ribbon, and all of the stuff that is signed by the undersecretary at the USPTO.
Those digitized patent images are placed on panels, each one of which resemble the face of an iPhone. At one end of the exhibit is, again, the iPhone where it’s almost like, you know, if an iPhone screen that you can scroll across. The images that go across these bigger screens are all of his trademarks.
So the modest purpose of this exhibit was somehow to capture something that said, hey, this is the foundation of this man’s success as an entrepreneur, a marketer, an innovator. It’s his patents and his trademarks: over 300 patents and hundreds of trademarks as well.
I can only think of two other people in American history who combine those unique qualities of an innovator, marketer, entrepreneur: Walt Disney and Thomas Edison.
Richard Grigonis: You might also include on that list Dr. Edwin Land, the founder of Polaroid and of instant photography fame, who garnered 444 patents over the years. But, getting back to this Steve Jobs exhibit, it appears to have already done some traveling.
Richard Maulsby: This exhibit first appeared in November 2011 at the United States Patent and Trademark Office’s campus in Alexandria, Virginia, in the atrium lobby of the Madison Building. We had it there until January 2012. I was quite taken aback by the huge number of people who came to see it. I mean, we’re out here in Alexandria, Virginia, it’s not like the Mall in Washington, D.C. Thousands of people came to the exhibit and they really would get off on taking pictures—with their iPhones—of themselves with the patents relating to the iPhone itself.
Richard Grigonis: Yes, I remember that, at the time, the USPTO’s Intellectual Property Director, David Kappos, said, ‘This exhibit commemorates the far-reaching impact of Steve Jobs’ entrepreneurship and innovation on our daily lives. His patents and trademarks provide a striking example of the importance intellectual property plays in the global marketplace.’ Interestingly, the Deputy Under Secretary of Commerce for Intellectual Property and Deputy Director of the USPTO, Teresa Stanek Rea, said that when she would leave the office late at night she would typically find the lobby chock-full of people just standing there contemplating the patents.
Richard Maulsby: Then what happened was, well, we have done a number of projects the last couple of years for the Smithsonian. The Smithsonian’s Secretary, Wayne Clough, sent to our campus one of his senior curators, who really like the exhibit and said, ‘We’d love to host this at the Smithsonian.’ So we’re doing that right here at the Smithsonian’s S. Dillon Ripley Center for about two months.
Prior to this, the exhibit was on public display in the atrium of the new World Intellectual Property Organization [WIPO] building in Geneva, Switzerland, from March 30, 2012 right through to World Intellectual Property Day on April 26, 2012. The exhibition got a lot of coverage and related well to 2012’s World Intellectual Property Day theme, which was ‘Visionary Innovators.’ The exhibition was co-organized by the WIPO and the USPTO and supported by the U.S. Mission to the United Nations in Geneva.
Richard Grigonis: When the exhibition opened in Geneva, the WIPO’s Director General, Francis Gurry, remarked that Steve Jobs was, ‘…one of the most influential technology thinkers and actors of his generation… A visionary innovator is measured by the extent of transformation that their innovation achieves in society and the economy… Steve Jobs certainly had vision—his ambition to make digital technology simple and accessible gave rise to a new paradigm for the delivery of entertainment.’
Moreover, Ambassador Betty E. King, U.S. Representative to the United Nations in Geneva, said the exhibit was ‘an opportunity to see how Steve Jobs, at the helm of Apple, acted upon his vision, and in doing so shaped the means by which our world functions and communicates on a daily basis.’
Richard Maulsby: And now the exhibit is here at the S. Dillon Ripley center until July 8, 2012. At the end of the summer the exhibit will be traveling to Los Angeles for the Los Angeles County Fair. There are other people worldwide who have interest in hosting it, too.
Obviously, Steve Jobs clearly struck a responsive chord with many, many people. I know the Smithsonian is doing a number of things—they’ve added a few artifacts, and they are planning a program, I believe, with his biographer. (Editor’s Note: Walter Isaacson, author of the best-selling biography, Steve Jobs, was scheduled to be interviewed by Smithsonian Secretary Wayne Clough on the evening of June 6, 2012.)
It’s all our effort at the U.S. Patent and Trademark Office, to pay a tribute to this man by trying to capture something to symbolize his tremendous body of work. I also there’s a message here that, of course, patents and trademarks and intellectual property protection is the foundation of this nation’s economy; it’s the reason why people like Steve Jobs are able to flourish. It always has been that way.
Editor’s Note: The Steve Jobs exhibit will be on display in the S. Dillon Ripley Center concourse from May 11 to July 8, 2012. The Ripley Center is open daily from 10 a.m. until 5:30 p.m. It’s situated at 1100 Jefferson Drive, next to the Smithsonian Castle and 100 yards east of the Smithsonian Metro station, Mall exit. The Center is underground and is accessed by entering the kiosk that appears in the photo above.
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Richard Grigonis (@EditStateofNow) is Editor-in-Chief of Jeff Pulver’s State of NOW / #140conf community website.


























